Stot
The new album of ‘Stefan Orins Trio’ is called ‘Stöt’ – ‘impulse’ in Swedish. Spontaneity has been made a point of honour. Thanks to its fourteen years of existence, the threesome has just published its third album.
Following ‘Natt Resa‘ (2004) and ‘Bonheur Temporaire‘ (2006), ‘Stöt’ is a delightful mix of complex, melodious and intuitive compositions all at once. The ensemble comes across as a sensitive and energetic unit. It keeps on exploring the three musicians’ liberty, space, interactivity and creativity. On this album, the piano player Stefan Orins offers us nine new compositions. It’s absolutely worth discovering this new piece of craftsmanship!
“(…) Nothing is superfluous, everything is rightly measured. The accuracy in their triangular conversation, with its free-flowing ideas conjugates with the omnipresent desire to share the deeper meaning (…)” Matthieu Devert (Jazz Magazine)
“(…) they play soundly; the threesome sets and is connected, but that’s not what is most important. It’s most important to experience that during the performance, the three guys really join up, they let the music come and rise, they finish off higher than they have started (…)” Francis Marmande (Le Monde)
Stot
The new album of ‘Stefan Orins Trio’ is called ‘Stöt’ – ‘impulse’ in Swedish. Spontaneity has been made a point of honour. Thanks to its fourteen years of existence, the threesome has just published its third album.
Following ‘Natt Resa‘ (2004) and ‘Bonheur Temporaire‘ (2006), ‘Stöt’ is a delightful mix of complex, melodious and intuitive compositions all at once. The ensemble comes across as a sensitive and energetic unit. It keeps on exploring the three musicians’ liberty, space, interactivity and creativity. On this album, the piano player Stefan Orins offers us nine new compositions. It’s absolutely worth discovering this new piece of craftsmanship!
“(…) Nothing is superfluous, everything is rightly measured. The accuracy in their triangular conversation, with its free-flowing ideas conjugates with the omnipresent desire to share the deeper meaning (…)” Matthieu Devert (Jazz Magazine)
“(…) they play soundly; the threesome sets and is connected, but that’s not what is most important. It’s most important to experience that during the performance, the three guys really join up, they let the music come and rise, they finish off higher than they have started (…)” Francis Marmande (Le Monde)